【摘要】 从布迪厄的场域和资本的角度可以看出,由于权力场对文学场的控制逐渐松动,以及财政支持政策的逐渐撤离,文学场更为自主,但同时迫于财政压力向经济场倾斜。本文分析了文学场中的期刊和出版社的演变以及它们应对经济场的压力而采取的举措是如何让"80后"少年写手进入文学场的。同时,文学场的新变化也促成了"80后"作家的发生发展。此外,"80后"作家本身的惯习也对他们能成为一个现象起重要作用。更多还原

【Abstract】 With Pierre Bourdieu’s field theory and various forms of capital,it can be seen that the loosening grip of the political field on the literary field resulted in the partial autonomy of the latter and its inclination to the economic field.Both the publishing houses and the magazines resorted to the writers born in the 1980s as chances of survival and making profits in the market economy.Furthermore,some structural changes of the literary field,such as the rise of the Internet,the appearance of the so-called "Book Strategists",partly accounted for the genesis and the development of these young writers.Also contributed to their success is the habitus these writers possess.更多还原