【摘要】 清代同治年间,诗钟传入台湾,各地社团纷起,形成了台湾古典诗社的第一次发展高潮;日据中期,诗钟在台湾重新兴起,它与击钵吟一起,相互促进,互为推助,形成了台湾古典诗社的第二次发展高潮;1949年前后,一大批大陆诗人特别是闽地钟手相继渡台,又为台湾古典诗社的发展提供了新的契机。从对台湾古典诗社三次发展高潮的考察中可以看到,诗钟作为一种文体在台湾文学中的独特存在与深远影响。更多还原

【Abstract】 During the Tongzhi period of the Qing’s Dynasty,Shizhong was introduced to Taiwan where the poetry clubs were founded everywhere and the first developmental climax of the Taiwan classical poetry clubs thus came into being.During the middle period of Japanese occupation Shizhong rose again.Together with JiboYin they helped promote each other,forming the second developmental climax of the Taiwan classical poetry clubs.Then,around 1949,a large number of poets from mainland,especially the Shizhong’s writers from Fujian,came to Taiwan one after another,providing a new opportunity for the development of the Taiwan classical poetry clubs.Through the examination of the three developmental climaxes we can see that Shizhong,as a literary style,proves to be unique and far-reaching in Taiwan literature.更多还原