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丝网版画的当代性转向

The Contemporary Transformation of Silk- screens

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【作者】 葛贵勇

【Author】 GE Gui-yong;The Arts College,Guizhou University;

【机构】 贵州大学艺术学院

【摘要】 丝网版画的材料属性为自身语言的主体性建设提供了便利,从丝网版画传入中国30多年的创作来看,已经拥有了非常成熟的艺术语言。但是,丝网版画局促于艺术家小圈子的自娱自乐,丧失了应有的社会关怀和文化品质。丝网版画从根本上应当回到对艺术创造的本质思考上去,与整个当代文化的发展同步,充分的利用技术为思想的建设服务。

【Abstract】 The material attributes of silk- screens facilitate the subjectivity construction of its language. Since the introduction of silk- screen into China more than three decades ago,it has already had a very mature artistic language. Yet the silk- screens are confined to a small circle of artists for self- entertainment that lose their due social concerns and cultural qualities. Silk- screens should return to the nature of artistic creation,keep with the contemporary cultural trend and contribute to the ideological construction with a full use of technology.

【关键词】 丝网版画当代性社会关怀
【Key words】 silk-screencontemporaneitysocial concern
  • 【文献出处】 贵州大学学报(艺术版) ,Journal of Guizhou University(Art Edition) , 编辑部邮箱 ,2013年04期
  • 【分类号】J217
  • 【被引频次】4
  • 【下载频次】137
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