【摘要】 "有界"与"无界"这对认知语言学概念可用于诠释文学翻译的原文视域、译者视域及二者之间的"视域融合"。本文以宋词人李清照的《如梦令.昨夜雨疏风骤》及其四种英译为例,剖析文学翻译中译者视域与原文视域融合的"有界"与"无界"。本文指出:文学翻译是译者视域有意识或无意识迫近原文视域的"迫近性"融合。更多还原

【Abstract】 As a pair of cognitive terms,"boundedness" and "unboundedness" can be employed to explain the author and the translator’s perspectives and their perspective fusions in literary translation.This paper aims to probe into such perspective fusions on the basis of Li Qingzhao’s Ru Meng Ling and its four English versions.The paper finds that literary translation is an approaching perspective fusion in which the translator’s bounded and unbounded perspectives consciously and/or unconsciously approach the author’s bounded and unbounded ones.更多还原