【摘要】 身兼"五宗世祖"虚云老和尚修行及其显现出来的神迹独树一帜、非同凡响。但其标杆意义没得到足够昭显,对当代佛教建设的导引价值与未来意义也没得到发掘与重视。虚云老和尚难行能行、难忍能忍,为弘扬佛法跋涉于纷繁尘世,忘记一切身躯之苦、世界之难,一生充满富于禅机禅趣、曲折生动、真诚感人的故事。综合表现其僧德的禅风、僧格和言行,首次提出"虚云风骨"的概念来表达其苦行僧风格、卓绝修行和已达化境的禅定功夫。虚云老和尚先后在韶关南华寺、云门寺近20年,也是近现代南华、云门最著名望的高僧,对南华、云门两禅寺建设的贡献极大,以虚云老和尚的德行和国际影响力,可把"虚云风骨"、"九龄风度"、"余靖风采"组合成"韶州三风",与"六祖智慧"一起构成"三风一智"作为韶关人精神写照,成为韶关历史文化名片之一。更多还原

【Abstract】 The Venerable Master Hsu-Yun,respected as ancestor of the five Chan Sects,devoted himself to religious life and left massive unique and extraordinary records.However,the significance of Master Hsu-Yun as one of leading representatives of Zen has not been completely highlighted,and the value of his role of guiding the development of contemporary and future Buddhism haven’t been promptly excavated and evaluated.Master Hsu-Yun had a tortuous yet sincere touching life,featured with wisdom and amusement of Zen.In this paper,his noble qualities such as zenic style,monastic morals,and remarks and behaviors were comprehensively exposed in his experience as a Samana to spread the ideas of Buddhism.The author first coined the concept of Hsu-Yun vigour of style to express his ascetic style,outstanding practice and advanced levels of meditation.Once living in Nanhua Temple and Yunmen Temple for almost 20 years,Master Hsu-Yun as the most eminent Buddhist master of recent history had made tremendous contributions to development of these two Temples.With Hsu-Yun Master’s great moral conduct and international influence,Hsu-Yun vigour of style,Zhang Jiuling’s Eminence and Yujing’s Style could be called Shaozhou three styles.And it can also be integrated with Huineng’s wisdom as three styles and one wisdom,which is perfectly a good interpretation of Shaoguanese spirits and one of name cards of Shaoguan’s historical heritage.更多还原