【摘要】 随着现代旅游进入东道主社会,"主—客"间的互动成为可能。作为旅游场景中一个特殊群体,少数民族表演者的个人经历在这种互动中受到深刻影响,包括生存环境、生活习惯、人际交往、宗教信仰等。本文以九寨沟旅游表演《藏谜》中的藏族表演者为例,探讨表演者在舞台表演与日常生活中所经历的变化,指出这些改变其实质是对"自我"和"他者"表述的完成,其新的文化身份的建构是少数族群在理解自我传统与现实的基础上的自我抉择。更多还原

【Abstract】 With modern tourism entering host society,the interaction between "Host-Guest’ becomes possible.As a special group in tourism scene,the personal experience of minority performers has been influenced deeply in the interaction,which includes survival environment,life custom,interpersonal communication,religious belief and so on.This article studies the change the performers experience from daily life to stage performance by taking the case of Tibetan performers in the ’ Tibetan Mystery of tourism performance in Jiuzhai Valley and points out the change is essentially the completion of expression of "self" and "others". As a result,the construction of their new cultural identity is the self-choice of minority group based on understanding their own tradition and reality.更多还原