【摘要】 绘画在表现空间方面存在着不同的符码系统。发明于15世纪的透视学为绘画空间表现提供了一种技术,一度为我们创造出不少优秀写实主义绘画。当代美学理论的发展使我们认识到技术不能替代艺术,写实主义绘画也不是绘画的全部。绘画艺术规律只存在于二维本体中,而不是三维幻觉中。现代绘画艺术打破透视法的枷锁,重新回到了平面机制上,但它不是重走以往的老路。通过对不同绘画样式的考察,我们发现在任何一种绘画空间表现样式的背后都有着某种观念和精神诉求。更多还原

【Abstract】 There are different symbol systems for painting in space expression.As found in 15th century,the theory of perspective provides a technology for painting to represent space,and many outstanding realistic painting appeared.With the development of contemporary aesthetic theory,we recognized that art can not be replaced by technology,thus,realism painting is not all about painting.The law of painting art exists only in two-dimensional body rather than illusion of three-dimensional.The modem painting art broke the shackles of the theory of perspective and returned to surface mechanism,but it is not going to re-take the old road.Through the study of different painting style,we found that there are certain concepts and spiritual aspirations behind any expression pattern for painting space.更多还原