【摘要】 弗洛伊德认为,美就是白日梦。艺术是作家被压抑欲望的满足。爱,植根于性,爱情就是"俄狄浦斯情结"的升华。这种升华是通过移情作用实现的。移情让青少年在现实生活中找到对父亲或母亲情感的替代对象。移情之所以是必要而健康的,是因为人的心灵受"唯乐"与"唯实"两项原则的支配。移情是性本能——"里比多"升华为创造力的重要途径,也是文明生长的心理路径。稳定、持久和幸福的婚姻是男孩比照母亲、女孩比照父亲的形象寻找配偶的结果。弗洛伊德的美学观和爱情观有着积极的社会意义,其前提和核心是审美鉴赏者、恋爱者把自己的"俄狄浦斯情结"升华到爱的境界。但弗洛伊德把性压抑、性幻想看作是艺术创造力的基础这一观点并不十分恰当和准确,他在爱情观中故意混淆亲情与爱情的区别则完全是错误的。更多还原

【Abstract】 Freud holds the view that beauty is daydream and art is satisfaction of repressed desires of artists.Love is derived from sex.Therefore,love is a sublimation of Oedipus complex,which can be realized through empathy.the youths are able to find a substitute for their emotion to their fathers or mothers.On the one hand,empathy is indispensable to people because their desires are always controlled by happiness and objectiveness;on the other hand,empathy is one of the vital approaches to help libido sublime into creativity.The lasting and happy marriage can be explained as a boy or a girl finding his or her lover in term of their father or mother.Freud′s viewpoint of aesthetics and love has a lot of positive social meanings with the presupposition of sublimation of Oedipus complex to love.But it is not appropriate for Freud to regard sexual depression and illusion as the foundation of artistic creativity and it is not at all correct to confuse family affection with sexual love.更多还原