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《西厢记》明清刊本演变述略

The Evolution of The Romance of Western Chamber’s Editions in Ming and Qing Dynasties

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【作者】 汪龙麟

【Author】 WANG Long-lin(School of Literature,Capital Normal University,BeiJing 100048,China)

【机构】 首都师范大学文学院

【摘要】 本文综合前贤时彦的研究成果,择取《西厢记》传播史上影响较大的八种版本,从其文本形态、版本特征的描述中,凸显明清《西厢记》刊本演变的大致历程。大致而言,残页本、弘治本年代较早,传奇因素的渗入并不明显,还基本保留了元杂剧剧本体制。徐士范本依循传奇体制刊刻《西厢记》,此后以传奇体制刊刻《西厢记》成风,只有凌濛初本、毛西河本在努力回归《西厢记》的杂剧体制。依循传奇还是回归杂剧,不少《西厢记》刊刻者颇感茫然,于是又出现一些既保存有元杂剧体例特征,又带有传奇因素的混合型刻本,如王骥德本、金圣叹本。

【Abstract】 According to incomplete statistics,this paper chooses eight editions which are greatly influential in the history of communication,in addition emphasizes on the evolution of The Romance of Western Chamber’s editions in Ming and Qing dynasties.Roughly speaking,the editions having torn page and in HongZhi period,still remained the structure of Drama in Yuan dynasty.The edition of XuShifan published the Romance of Western Chamber following the structure of Legend.From then on,it became fashionable to publish this work following the framework of Legend.There were only two editions which were LingMengchu and MaoXihe editions trying hard to return the structure of Drama in Yuan dynasty.

  • 【文献出处】 北京社会科学 ,Social Sciences of Beijing , 编辑部邮箱 ,2012年04期
  • 【分类号】I207.3
  • 【被引频次】4
  • 【下载频次】798
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