【摘要】 在中国现当代话剧文学中,郭沫若、顾青海及曹禺的《王昭君》从不同侧面强化了"昭君出塞"母题的某一因子。郭著《王昭君》更多的突出了昭君形象的叛逆精神,女性意识相对较弱,民族国家意识也相对隐蔽;而顾著《王昭君》中的昭君,比郭剧中反抗王权的昭君更加理解女性的不幸,因而女性自我意识更加自觉。同时,昭君的种种爱国举动,表现出她鲜明的民族国家意识;而曹著《王昭君》中的昭君,如果不局限在历史真实与艺术创作的关系层面,而从三部昭君剧在人物女性意识与民族国家层面的表现而言,曹剧中昭君形象在女性意识与民族国家意识方面相比更加自觉与明确。更多还原

【Abstract】 Guo Moruo,Gu Qinghai and Cao Yu’s drama Wang Zhaojun strengthened the motif of "Zhaojun Departs the Frontier" from various levels in contemporary Chinese dramatic literature.Guo Moruo′s play Wang Zhaojun stressed Wang Zhaojun′s rebellious image with weak feminist consciousness and veiled consciousness of nation state;Gu Qinghai′s depiction of Wang Zhaojun in the drama Wang Zhaojun has a better understanding of female misfortune than the rebellious image portrayed by Guo Moruo,thus Gu′s Wang Zhaojun developed a sharper feminist consciousness.Simultaneously,Wang Zhaojun′s various patriotic deeds manifested her strong consciousness of nation state;whereas Cao Yu′s portrait of Wang Zhaojun displayed the most distinct and conscientious feminist consciousness and nation state consciousness compared with the former two dramas.更多还原