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传统与现代的融合——玛丽安·莫尔诗歌艺术探析

The Fusion of Tradition and Modernity——The Artistic Study of Marianne Moore’s Poetry

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【作者】 王彦军张金霞

【Author】 WANG Yan-jun1,ZHANG Jin-xia2(1.Foreign Literature Research Institute,Beijing Foreign Studies University,Beijing 100089;2.College of Foreign Languages,Hebei University,Baoding,Hebei 071002,China)

【机构】 北京外国语大学外国文学研究所河北大学外国语学院

【摘要】 玛丽安·莫尔是美国20世纪最伟大的女诗人之一。她在诗歌创作上兼收并蓄,既固守英美文学传统,继承17世纪英国作家培根与班扬以及19世纪美国作家爱伦.坡和爱默生的创作理念,又兼收中国传统文化,竭力从中国绘画、文学与道家思想中探寻创作源泉;既注重意象主义的创作技巧,又吸收立体派采用的‘拼贴’与达达派推崇的‘并置’等现代视觉艺术的表现手法。传统与现代元素在她的诗歌中完美地融合在一起,从而使她的诗歌在现代美国诗坛上独树一帜。

【Abstract】 Marianne Moore is one of the greatest poetesses in the 20th America.Her poetic creation inherits the concepts of traditional literary creating of the 17th British writers Bacon and Bunyan as well as the 19th American writers Edgar Allan Poe and Emerson,tries to explore the sources of poetic creation from traditional Chinese paintings,literature and Taoism,incorporates the creative techniques of the imagism,and is deeply influenced by the clear styles of modern visual arts of "collage" used by Cubism and "juxtaposition" advocated by Dadaism.The traditional and modern elements are incorporated perfectly in her poetry.As a result,her poetry has enjoyed a unique position in modern American poetry.

【关键词】 玛丽安·莫尔传统道家学说意象,视觉艺术
【Key words】 Marianne MooretraditionTaoismimagevisual arts
  • 【文献出处】 河北大学学报(哲学社会科学版) ,Journal of Hebei University(Philosophy and Social Science) , 编辑部邮箱 ,2011年01期
  • 【分类号】I712.072
  • 【被引频次】8
  • 【下载频次】402
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