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拉威尔双钢琴《大圆舞曲》的演奏初探

A Preliminary Study on the Performance of Maurice Ravel’s Two-Piano "La Valse"

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【作者】 岳磊

【Author】 Yue Lei(Arts College,Guizhou University,Guiyang,Guizhou 550003)

【机构】 贵州大学艺术学院

【摘要】 为保证演奏的条理性,对这样一部素材极其丰富的作品在演奏前分析并理清它的结构是必须的。而对不同类型主题音乐上分析的目的,是选择恰当的演奏技巧。作为专门为双钢琴创作的作品,双钢琴演奏者之间关系的特殊之处在于,由于相互看不见对方键盘和手的运动,两位演奏者就更需在练习之初对许多问题形成共识。双人配合较难把握的首先是节奏,而在音响方面,注意要做到既平衡又互补,只有辨证地理解和演绎作曲家安排的力度,才可能得到协调、清晰的音响。

【Abstract】 It is necessary to make an analysis and study of the structure of such a piece of work with rich materials in advance in order to assure a neat order in performance.The purpose of studying music of various types and themes is to choose the right strategy to perform.As a piece composed specifically for the performance of two pianos,the special point for the two performers of "La Valse" lies in that they have to make a consensus on many aspects at the beginning of their practice because both of them could not see the movement of the other’s hands and keys.The most difficult in a co-performance is the rhythm,while it is also important to keep balance and complement each other in acoustics.So the performers can only produce harmonized and clear acoustic effects by the dialectic understanding and performing of the stress points that the composer has laid in the music.

【关键词】 双钢琴配合节奏音响
【Key words】 two pianosco-performancerhythmacoustics
  • 【文献出处】 贵州大学学报(艺术版) ,Journal of Guizhou University(Art Edition) , 编辑部邮箱 ,2011年01期
  • 【分类号】J624.1
  • 【被引频次】1
  • 【下载频次】163
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