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北朝时期佛教石窟造型及装饰的混合风格——以云冈石窟佛教雕塑艺术为例

Mixing Style of Plastic and Decoration Buddhist Grotto in Northern Dynasty——Scultural Art of Yungang Gotto as Example

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【作者】 温都苏

【Author】 Wendusu

【机构】 内蒙古师范大学雕塑艺术研究院

【摘要】 自北魏拓跋氏定都平城以来,东西方文明交流更甚,有史载及数量众多的遗存为证。云冈石窟就是在这样的大背景下开凿的,为后人留下了那个时代的印记。本文主要谈及有代表性的犍陀罗风格、波斯风格、鲜卑风格以及汉地风格,力求从此四方面一窥云冈石窟装饰的混合风格。

【Abstract】 Ever since Pingcheng was designated as capital of Northern Wei,the exchange between the East and West became more and more frequent as demonstrated by historical records and plenty of antiques.Yungang Grotto was created under such circumstances,leaving the mark of the era for us.The paper mainly talks about the representative Ghandara style,Persian Style,Xianbei Style and Han Style,endeavoring to look into the mixing style of the decoration of the Yungang Gotto.

【关键词】 云冈石窟造型装饰混合风格
【Key words】 Yungang Grottosculptingdecorationmixing style
  • 【分类号】K879.2
  • 【被引频次】4
  • 【下载频次】740
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