【摘要】 传统的文气说认为作者的人格和作品风格高度同构。这种界定认为文气是作者的人生人格在作品的美学呈现,人品即文品。关于文气的具体内涵存在作者人格形成的先验性和经验性的争论。传统文气说混淆了作家人生人格和创作人格的界限。章学诚的文气说发现了创作人格的层面,从而弥补了传统文气说的重大理论缺陷。他所谓"临文主敬",不是指作者的道德修养,而是具体的创作时人格状态的控制和调整。这说明他认识到创作人格的存在,而且还主张要有意识地进行控制,使之符合创作时的在场性。其缺陷在于未进一步揭示创作人格的显意识和潜意识的双重层面。更多还原

【Abstract】 In the Chinese traditional literature theory field,Wen qi is important.It claims that writer’s character is in harmony with the style of composition.There were two major opposite opinions about Wen qi.One argued that Wen qi was gifted,but the other insisted that it was the consequence of education.The traditional theory of Wen qi couldn’t separate Identity from Persona.But Zhang Xue-cheng improved it by discovering Persona and proposing that writer should control his mind consciously during the process of composing.更多还原