【摘要】 "文学自觉说"自问世以来,就一直是一个极为模糊的概念。由于铃木虎雄在表述上的过于简略和自身矛盾,导致学界长期以来对其内涵以及判断依据存在着理解上的差异。从铃木虎雄在《中国诗论史》中的整体思路来判断,他的所谓"文学自觉"是指汉末魏初以来对于文学价值的发现与承认,是文学价值观念的自觉;其判断依据则为汉末魏初诗文论的重心由道德教化向文学自身的转移。当代学界对于"文学自觉说"的重新审视,必须摆脱因为误解了铃木虎雄而造成的本不应存在的影响。更多还原

【Abstract】 "Self-consciousness in the literature in the Wei and Jin Dynasties" is always a nebulous connotation from the very beginning,which was put forward by Suzuki Torao.Researchers always misunderstand it,so they often make incorrect criticism on it.Judged from the entire thinking of Suzuki Torao in his book the History of Chinese Poetics,the connotation should mean the discovery of the literary value in the Wei and Jin Dynasties,and the basis should be the transfer of the point in the Wei and Jin literary criticism.If we want to re-study the connotation,we must abandon the influence resulted from the misunderstanding about Suzuki Torao’s thinking which should not exist.更多还原