【摘要】 董其昌对传统笔法有深入的探求,对晋人笔法见解独到。米芾书宗二王,以"锋势备全"诠释了对晋人笔法的认识,董其昌于米芾别有会心,视其为重要的取法对象,从米芾处参得"无一实笔"与"无垂不缩、无往不收"的笔法要领,其关捩为"以势为主"。董其昌视"以势为主"为"关捩子",对晋人笔法有了"自起自倒、自收自束"、"转左侧右"、"似奇反正"等深刻的认识。更多还原

【Abstract】 Dong Qichang has done profound researches into traditional stroke theories,especially those of the Jin Dynasty.Mi Fu’s calligraphy characterized by exquisite style and powerful forceinheriting the essence of Two Kings’(Wang Xizhi and Wang Xianzhi) calligraphy doesa very good interpretation of calligraphy theories in the Jin Dynasty.Different from Mi Fu,Dong Qichang regards his calligraphy as an important source of inspiration.Two principles,namely "No Real-Stroke"and "Horizontal and Vertical Stroke Principle",whose essence is "Force Orientation",are what he learned from Mi Fu.Seeing force orientation as the essence,Dong Qichang put forward many other characters of the stroke principles of the calligraphy in the Jin Dynasty such as "Ziqi Zidao","Zishou Zishu","Zhuangzuo Ceyou","Yiqi Fanzheng".更多还原