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大众文化语境下的电视传媒——从阿多诺的电视理论谈起
Television Media in Popular Culture Context——Discussion in the television theory of Adorno
【摘要】 法兰克福学派的代表人物阿多诺认为电视与他所批判的其他艺术形式一样,是文化商品化的结果,电视缺乏独特的审美意义。在电视传媒高度发达的今天,我们看到电视在传播社会信息、促进文化繁荣,促进社会和谐方面的积极作用,但同时也应该看到大众文化流行时代电视节目存在庸俗、浅薄、审美价值缺乏的一方面。在大众文化盛行的时代,电视媒体应恪守自己的传播功能和文化职责;作为社会主体的人应该成为电视的主宰,而不能被电视所主宰。
【Abstract】 Adorno,the representative of Frankfurt school,hold that television is the result of commercialization of cultures and lacks unique aesthetic significance.Today,television media possesses excellent development and we are able to see its positive functions of spreading social information,promoting cultural prosperousness and social harmony.However,we are supposed to see television media’s negative aspect of vulgarity,flimsiness,and lack of aesthetic value in the time of popular culture.In the pervasive time of popular cultures,television media should scrupulously abide by its spread function and cultural responsibility and people,as the main body of society,should be in charge of television instead of being in the charge of it.
【Key words】 Adorno; Popular culture; Television media; Criticism of culture;
- 【文献出处】 山西农业大学学报(社会科学版) ,Journal of Shanxi Agricultural University(Social Science Edition) , 编辑部邮箱 ,2009年03期
- 【分类号】G229.2-F
- 【被引频次】4
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