【摘要】 实践本体论美学早就表达了人与自然发展和谐统一的追求,强烈意识到人类所面临的自然生态危机,但是它认为解决生态问题只需要通过审美建立"新感性",来"补充和纠正"实践的"规律性服从于目的性"的偏颇,而这对于仅从流行的实践观念寻求美与审美的本质和根源的实践本体论美学来说,是根本不可能的,因为生态危机的根源正是这种片面高扬主体性的实践。实践本体论美学应该重视马克思实践论的对象性思想,以人和自然的对象性关系为实践的基础,并由此出发正确理解马克思主义"自然向人生成"说的生成本体论内涵,深入理解其人本生态观意蕴,进而认识实践和审美的生态本性,从审美活动的本体特性"节律感应"寻求"同构对应"的生命基础,承认美和美的规律首先存在于自然界。只有经过哲学和美学上的生态化调整和自我超越,实践本体论美学才可能把自己可贵的生态关怀和生态学化的基本学理统一起来,也为综合其他美学学派的合理因素构建科学的理论空间和逻辑框架。更多还原

【Abstract】 In the early days, the practical ontological aesthetics expressed the pursuit of harmonious coexistence of man and nature, and deeply realized the ecological crisis. However, it believes that it is possible to solve ecological problems by establishing a new aesthetic perception to supplement and rectify the bias of the practical regularity complying with the objective, which is impossible for the practical ontological aesthetics which seeks beauty and aesthetical nature only from popular practical ideas, because the ecological crisis originated from the overemphasis of the subjective practice. The practical ontological aesthetics should attach importance to the objectivity of Marxist practical theory, and on the practical basis of the relationship of man and nature, correctly grasp the implications of Marxist generative ontology of "nature evolving into man" and the humanist ecology to understand the ecological nature of practice and aesthetics so as to seek the life foundation of the reciprocation from the ontological nature of the aesthetical activity, i.e., rhythm telepathy, and admit that beauty and its laws are inherent in nature. After the ecological adjustment and the self-transcendence of philosophy and aesthetics, the practical ontological aesthetics could unify the ecological care and the ecological theory, and synthesize rational factors of other aesthetic schools to construct a scientific theoretical space and a logical framework.更多还原