【摘要】 1949年后,土地改革开启了国家对农村社会的权力实践,人民公社的高度集中化是国家对农村控制的高度体现。国家对农村的权力实践过程伴随着激烈的阶级斗争和对乡村资源的垄断,直接导致了传统家庭伦理的沦丧和乡村社会结构的瓦解,即乡村道德共同体的解体。家庭联产承包责任制的实行,使得作为临时道德代言人的国家随着对农村社会经济控制的削弱而退出了历史舞台。然而1980年代出品的两部电影《喜盈门》和《咱们的牛百岁》则一厢情愿地认为乡村仍然是一个道德共同体,乡村中的各种伦理问题和社会结构问题都可以通过乡村这个道德共同体的力量来解决。本文试图通过解读《喜盈门》和《咱们的牛百岁》这两部电影的角色和情节设置,来揭示1980年代国家对农村社区的道德想象。更多还原

【Abstract】 The new established state in 1949 started its power practice process by land reformation and the state power was even of higher degree concentration in the Peoples’Commune System period. The power practice of state in rural society was embodied by intense class struggle and the monopoly of rural resources,which resulted in the decline of traditional family ethics and the disintegration of rural social structure. Implementation of the Household Responsibility System led to the withdrawal of state as a temporary moral symbol so that the rural society became a moral vacuum area,which led to the increase of individualism without ethics. But two movies Xi Ying Men and Niu Bai Sui,produced in 1980s,took rural society as a moral community for granted. The movies imagine that all the problems about ethic and social structure could be resolved by traditional rural morality. This thesis explores the moral imagination of the state of rural society in 1980s through interpreting the characters and plots in the two movies.更多还原