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由“禅悦”到“逃禅”——唐代后期诗风的人工气息

From"get happiness from Zen"to"turn to Zen"——poems with artificial marks in later stage Tang Dynasty

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【作者】 柳东林王树海

【Author】 LIU Dong-lin WANG Shu-hai (Literal arts college, Northeast Normal University,JiLin ChangChun 130024; Literal arts college, JiLin University, JiLin ChangChun 130012)

【机构】 东北师范大学文学院吉林大学文学院

【摘要】 唐代诗歌深受佛禅思想影响,唐前期诗人深得禅宗思想真意,诗歌从容淡定,体现"禅悦"诗风。唐后期诗人把禅宗思想作为逃离现实的寄托,刻意追求,诗歌有了明显的人工痕迹,形成"逃禅"诗风。贾岛的"苦吟",姚合的"轻巧",以及马戴、李频等人的诗歌,呈现一种唐末期的"衰飒"之气。

【Abstract】 The thoughts of Buddhaism and Zen influnced Tang Dynasty poems profoundly.Poets in earlier stage for Tang comprehended the real meaning of Zen deeply,the poem style was calm,it represented the style of "get happiness from Zen". Poets in Tang later stage used Zen thought as a way to escape and leave the realistic sustenance,sought sedulously. The poems were obvious with artificial marks, formed "turn to Zen" style. Jiadao’s "deliberated on poems",Yaohe’s"peace ang deftness", the poems who composed such as Madai, Lipin and so on,presented a style of "bleakness" in later stage Tang Dynasty.

  • 【文献出处】 古籍整理研究学刊 ,Journal of Ancient Books Collation and Studies , 编辑部邮箱 ,2009年03期
  • 【分类号】I207.22
  • 【被引频次】1
  • 【下载频次】316
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