【摘要】 在悲剧与喜剧的内在逻辑转换行程中界定荒诞的地位及其本质特征,是一个可行的研究方法。悲剧从命运悲剧、性格悲剧到历史悲剧,又回到命运悲剧,其终点是荒诞;喜剧从滑稽、讽刺到幽默,又回到滑稽,其终点也是荒诞。由此,荒诞是悲剧与喜剧的中介;命运性悲剧内涵与滑稽性喜剧方式的巧妙结合,是荒诞最显著的本质特征。更多还原

【Abstract】 It is feasible to define the orientation and nature of absurdism in the process of logical transition between tragedy and comedy.Evolving from fate tragedy to character tragedy and to history tragedy,finally back to fate tragedy again,tragedy ends in absurdism;Circling from farcicality to irony and humor,at last returning to farcicality,comedy ends in absurdism,too.Thus,absurdism serves as an intermediary between tragedy and comedy.Its most remarkable characteristic is a subtle combination of fate-tragedy connotation and farcical comedy expression.更多还原