【摘要】 本文试图探讨叙事策略与认识的困境及探索之间的内在关系。本文认为,《米德尔马契》在全知叙事模式的基础上,运用叙述声音的融合及叙事眼光的转换等手法,突出了全知叙事者的局限和不同叙事话语的对话功能,而多重话语与眼光结构的共存及相互作用,一方面动摇了传统现实主义小说的作者权威和话语等级,揭示了主体认识的透视性和不完整性,另一方面又为认识现实的多样性提供了可能,从而成为保存主体认识连贯性的新尝试。更多还原

【Abstract】 This paper is aims at analyzing the inner links between narrative devices and exploration of overcoming Victorian epistemological predicaments,holding that,while adopting the mode of omniscient narration in Middlemarch, George Eliot uses devices,such as the fusion of narrating voices and the transference of narrative visions,to highlight the limitations of the narrator’s omniscience and the dialogic function of the different narrative discourses.The paper tries to demonstrate that coexistence of and interaction between the multi-layered discourses and perspective structures serve to weaken the authorial authority characteristic of traditional realistic novels by revealing perspectival and incomplete nature of man’s knowledge on the one han,and to provide a new way of knowing the reality in its complexity and preserving the coherence of the subjective knowledge,on the other.更多还原