【摘要】 分析了当代景德镇出现的"超写实性捏雕陶艺"与西方的"超写实性陶艺"之间的异同,指出两者之间相同在高度写实,但前者是在写实的基础上追求田园诗与美,追求自然抒情的情感,后者则完全客观复制,摒弃作者的任何主观情感,美与诗也随之缺失,呈现的是西方后现代的"虚无"情绪。文章充分肯定了张氏超现实主义陶艺对中国陶艺的巨大贡献。更多还原

【Abstract】 This paper analyzed the similarities and differences between the emerging contemporary Jingdezhen "Super-realism of porcelain pinching sculpture" and the West’s "super-realism of ceramics", the same keeps on the highly realistic, but Zhang’s style bases on the pursuing pastoral poetry and beauty\natural lyric emotion; the latter is whole objectively replicating, renouning the artists’ subjective feelings, the beauty and poetry also will be missing, the Western post-modern" empty" mood be appeared. The article fully affirmed Zhang Yuxian’s ceramic surrealism of the great contribution to China’ s ceramic art.更多还原