【摘要】 现当代对中国画的抨击实际源于中国传统文人画不可避免的衰退。而中国画则不会衰退,只会转型。转型过程中先后出现的西化论、彩墨画论、末日论等提法,和"新文人画"、"一元性绘画"、"本体性绘画"、"学者画"等理念,都有其合理性。美术高校在转型中将会成为中国画坛的中坚,取代传统文人画和宫廷画的地位。今后的中国画创作将比传统中国画更高、更难。大师的出现也更加难能可贵。更多还原

【Abstract】 Contemporary attack to traditional Chinese Painting actually comes from the inevitable recession of traditional Chinese literati paintings. However the traditional Chinese Painting will not only decay but also transform. The Westernization, Aquarene theory, the doomsday theory, and other reference in the process of transition and "The new literati painting", "ontology painting","scholars painting" concepts are all reasonable. Arts college will become the backbone of China’s art history in this transfomration, instead of the traditional Literati paintings and Royal painting. The future Chinese painting works will be more difficult than traditional Chinese painting, the emergence of Master will also more commendable.更多还原