【摘要】 音乐作品中的技术手法并非孤立行事,它既与也与社会-历史的人文环境休戚相关,也与该时期的文化思潮和音乐风格语境密切呼应。20世纪二、三十年代的主流音乐风格中,浪漫主义气质、风格混成元素都是这一个时代带有普遍性的症候;同时,随着协奏曲这一体裁在20世纪的发展,其内在形式规定也更趋于灵活。本文论述力图通过对该时期音乐风格与体裁语境的探讨,揭示作曲家阿尔班.贝尔格的音乐创作与它们之间的关系。从而说明,作品风格的形成,绝非仅仅是作曲家纯粹主观的产物,而是受制于历史时代与社会环境,并且在历史所给予的音乐语言中选择的结果。更多还原

【Abstract】 That the technique method in music work is not only isolated, and it related to both the society-historic humanistic community and the cultural thoughts as well as the music style at the times. The main music style were full of romantic proclivity, element of style blending during 1920s and 1930s of 20th century. Along with development of concerto, its form was more flexible. The article discussed the music style and language in that times, explored the relationship between composer Alban Berg’s music creation and them. It is obviously showed that to form work style was not only composer’s subjective result, but also was enslaved to the historical era and society circumstance.更多还原