【摘要】 以"艺术是什么?"的问题开始的对艺术本质的追问原本就建立在一个错误的基本假定上,这样一种追问方式不仅注定会掉进将艺术"现成化"和"物化"的陷阱,而且压根儿就是一种形而上学的自欺欺人的把戏,它一开始就错认了诗学、美学和艺术哲学的基本问题;西方的艺术之思始终受制于以现成性思维方式为特征的知识论形态的美学和各种经验—实证科学的观念,而艺术在艺术存在中成其本质,用一种现成性的思维方式根本就不可能进行艺术本质的追问;使艺术成其为艺术的是"真理"而非"真实",艺术中发生的真理乃是"存在者进入无蔽状态",但从"再现论"、"表现论"到"象征论"的艺术观所持的都是一种"符合论"真理观,其实质是以"正确性"为根据的"真实"观念,从这种真理观出发同样会错认艺术的本质;艺术是真理进入存在的突出方式,并因此而是我们人类的历史性此在的一个本源。惟有从存在问题出发,从艺术与人生此在以及艺术与存在的意义之间的内在关联入手,方可思入艺术的本质问题;我们必须打破那种对象性—现成性思维方式的迷妄,将对"艺术本质"的追问视为一个直接关系人的存在意义的永无止境的求索过程;海德格尔的艺术本质之思具有多方面的启示意义,但他对追问入口的选择是独断的,也过分依赖于他自己特殊的"真理"概念,追问的又是艺术的本质之源而非艺术的本质本身。更多还原

【Abstract】 The pursuit started with "What is art?" originally is based on a false fundamental assumption.Such pursuit is not only doomed to get trapped into "Vorhandenheit" and "Verdinglichung" of art,but also one kind of self-deceiving metaphysics tricks.It messes the fundamental problems concerning the poetics,aesthetics and art philosophy from the very beginning.Art is the outstanding way that truth comes into being and thus a common source of our historical Dasein.To penetrate on the issue of art’s nature,it is advisable to start form the problem of Being and the inherent correlation that lies in the significance of art and Dasein as well as art and Being.We must break the confusion of objectiveness-vorhandenheit way of thinking and view the pursuit of art’s essence as an endless journey searching for the significance of man’s existence.Heidegger’s pursuit of art nature has dimensional enlightening significance,but he is arbitrary in the choice of penetrating the problem and excessively dependent on his special "truth" concept,but what he pursues is the source of art’s nature instead of art’s nature itself.更多还原