【摘要】 中国古代戏曲的"曲"本体观念一直到明代中叶仍然占据主导地位。由于戏曲评点是一种紧附于文本的批评形态,更加贴近作品的文类特征,因而明代中叶兴起的戏曲评点则实现了戏剧观念的突破和批评话语的转换。其表现一是"场上"观念得到凸显,二是叙事视角得到强化,三是以叙事为核心的各种戏剧技法得到充分挖掘。更多还原

【Abstract】 The idea of Qu in the classical Chinese opera remained in its dominance until the middle of Ming dynasty. Being a critical form relying on texts, the operatic commentary flourished in the middle of Ming dynasty was a breakthrough in the field of drama and a transformation of critical discourse. The features of this commentary include the highlighting of the stage, the enhancing of the narrative perspective, and the fullest play of performance based on the narrative.更多还原