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汉画像研究范式的历史转型(下)——文化学式与艺术学式的研究

Historical Transition of the Models of Research on the Han Dynasty’s Images Carved on Stone Tablets(Second) Research by Way of the Study of Art and Literature

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【作者】 朱存明

【Author】 ZHU Cun-ming(Xuzhou Normal University,Xuzhou 221116,China)

【机构】 徐州师范大学 江苏徐州221008

【摘要】 通过对汉画像研究方法的历史嬗变进行探讨,清理出四种不同的研究方法:金石学式的、考古学式的、文化学式的、艺术学式的研究。此四种方法有纵向的历史发展过程,是一个时代学术兴趣和研究成果的不同反映;从横向上看,又是一个时代对相同研究对象的逻辑展开,是对汉画像图像的不同层面的不同阐释。四种范式当然不是一个历史的替代过程,而是相辅相成,时有包容的。

【Abstract】 The writer of this thesis carries out an approach to the historical evolution of the research ways to the Han Dynasty’s images carved on stone tablets and has put in order four different research methods,ie research from the angle of,firstly,the study of inscriptions on ancient bronzes and stone tablets,secondly archaeology,thirdly the study of culture,and lastly the study of art.Vertically these four methods,as a different reflection in academic interest and achievements in research,undergo a historical development process;Horizontally they are regarded at the same time as that they are logically unfolded to the same research object for some one era and that they are different interpretations of those images,at different levels.Naturally these four models of research are not a replacement process for history,but,surely,they complement each other sometimes.

【基金】 国家社科基金项目“汉画像与中国审美观念研究”阶段性成果,项目号:03BZX060
  • 【文献出处】 徐州工程学院学报 ,Xuzhou Institute of Technology , 编辑部邮箱 ,2007年11期
  • 【分类号】K879.4
  • 【被引频次】3
  • 【下载频次】320
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