【摘要】 王安忆站在历史的高度,从社会的角度,用文化的视野在《长恨歌》中对女性欲望问题进行了理性审视,通过王琦瑶写了一个女人的欲、情与梦想在都市幻灭的故事。王琦瑶的性别遭遇和心路历程揭示:以男权文化为主导的话语体系和象征秩序对女性的诱捕、限制和排斥,以及对女性欲望的压抑、扭曲和扼杀,旨在说明女性欲望只有脱离男性欲望的想象性表达方式才能真正实现。更多还原

【Abstract】 In her novel Chang Hen Ge (The Song of Perennial Remorse), Wang Anyi has rationally examined female desire by relating a story of the disillusionment of a female, Wang Qi’s desire, emotion and dream in a city. From Wang Qi’s gender encounters and mental course can be shown the entrapment of, restraint on and repulsion against females as well as the suppression, distortion and strangling of females by the discourse system and symbol hierarchy dominated by patriarchal power culture, which aims to illustrate that female can truly fulfill their desires by divorcing themselves from the imaginable expression mode of male desire.更多还原