【摘要】 艺术形象的审美效果与创作主体的视角切入、性别想象密切相关。外在于女性主体的审视者与内在于女性主体的体验者,都以自身的文化心理虚构女性形象,他们的描述和表达赋予形象的性格内涵和角色命运以强烈反差。林黛玉和简·爱在性别叙事的作用下,走向女性从男权社会出走的两极:皈依男性中心毁灭自我的现实和颠覆男性中心确立女性权威的虚构。更多还原

【Abstract】 The aesthetic contrast between different art imageries is closely related with each author’s sexual distinction and visual angles. The observer out-side the female subject and the inspector inside all fabricate the female imageries under their own cultural conceptions. Their description or expression endows their imageries dramatic difference in disposition and role fate. Under the gender narrative function, Lin Dai-yu and Jane ,departed from the society reigned by male ,have reached to poles apart: the reality of destroying as depends on others, and the conceit of establishing female authority instead of male rules.更多还原