【摘要】 佛教对中国古代美学的发展嬗变有很大影响,特别是在魏晋时期促成了中国古典美学精神的转型。这主要表现在三个方面:一是佛教心性理论激发了魏晋文人具有审美创造原动力意义的自由意识;二是佛教般若学促使在审美活动中起着价值导向作用的真实观,由注重客观真实上升为注重以主观真实为重要内容的艺术真实;三是佛教形神观中的重神倾向促成并强化了审美—艺术思维中“贵神似,重写意”的审美追求。这些变化正是魏晋时期的中国古典美学走上自立、自为发展道路的重要标志。更多还原

【Abstract】 Buddhism had exerted great influence on the development of ancient Chinese aesthetics, particularly on the transformation of aesthetics in Wei-Jin period. This can be seen in three aspects: 1) the free consciousness of Wei-Jin intellectuals aroused by the Buddhist theory of mind, which is quite significant in its aesthetic creation; 2) the artistic truth that the Buddhist “wisdom study” made in the shift of aesthetic creation from objective truth to subjective truth; 3) the emphasis on deities and their images in Buddhist studies which helped and promoted the trend of pursuing forms and imagery in aesthetic and artistic thinking. These changes are signs that point to the fact that the ancient Chinese aesthetics had become autonomous in Wei-Jin period.更多还原