节点文献
“像”与印度佛教雕刻艺术的变迁
"Image"and the Changes of Indian Buddhism Sculptures
【摘要】 印度佛教雕刻是以各种“像”为主要载体,不同时期的“像”具有不同的风格特征,其造像依次经历“无像”,“隐像”及“有像”三个阶段;艺术风格依次经历希腊化风格、古典主义风格、巴洛克风格,印度佛教雕刻风格的形成受到佛教教义和社会环境的影响。
【Abstract】 The figure of Indian Buddhism sculpture is" image", different character in different period, it had lived three period inturn:"no image","conceal image","imaged",and it’s art styles had lived "Graecism","classical-ism" , "baroque"art styles. these had shaped because of Buddhism and social condition.
【关键词】 佛陀;
佛像;
无像;
隐像;
有像;
【Key words】 Buddha; the figure of Buddha; no image; conceal image; imaged;
【Key words】 Buddha; the figure of Buddha; no image; conceal image; imaged;
- 【文献出处】 青海师范大学学报(哲学社会科学版) ,Journal of Qinghai Normal University(Philosophy and Social Sciences Edition) , 编辑部邮箱 ,2005年04期
- 【分类号】J305
- 【被引频次】1
- 【下载频次】249