【摘要】 诗意人生,是一种审美人生;诗化世界,便是一种审美世界;这是中西诗人所追求的理想人生和意义世界。这种追求既是一种文化现象,也是一种社会现象。中国传统文化精神肯定的是审美方式,西方传统文化精神肯定的是宗教方式。中西不同的审美文化产生两种不同的诗化人生方式;即中国的崇尚虚静和西方的标举迷狂。但无论采取哪种方式,诗人之所以要在自己的人生中设立一个诗意化的世界,完全是由于他们发现了人的存在的悲剧性之缘故,这是中西诗人人生诗意化的理论前提。更多还原

【Abstract】 A life of poetic quality is a life of aesthetics and a poetized world is an aesthetic world.This is an ideal life and meaningful world that the Chinese and Western poets seek for.This seeking is both a cultural phenomenon and a social phenomenon.The spirit of the Chinese traditional culture affirms the aesthetic ways while the spirit of the Western traditional culture affirms the religious ways.The different culture of China and the West brings about different ways of poetized life,that is: advocating unreality and voidness in China,while upholding fascination and revelry in the West.Whatever ways are taken,the reason why poets should establish a poetized world in their life is that they find the tragedy of man’s being,and this is the theoretical premise of Chinese and the Western poets’ poetized life.更多还原