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论美声唱法的“靠前”与“靠后”

On Singing Ways of “Front” and “Behind” of Bel Canto

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【作者】 严露

【Author】 YAN Lu (The Music Department of Guiyang College, Guiyang, Guizhou, 550008)

【机构】 贵阳学院音乐系 贵州贵阳550008

【摘要】 美声唱法分为“靠前”与“靠后”两大学派。“靠前唱法”强调声音的明亮、靠前、打在硬口盖上,集中于面孔前部(鼻腔、面罩)部位;“靠后唱法”则强调声音的厚度、力度、喉腔开度大,音的立体柱状感及音的落点感受较深。它们有机结和点在于声音的明亮集中、圆润、丰满,两派是互补的辩证统一的。

【Abstract】 There are two schools of singing ways in bel canto. “The singing way of front” stresses on voice’s sonority and front, and centers voice on the front of face (nasal cavity and face plate); “the singing way of behind” stresses on voice’s thickness, strength, and width of throat cavity. Combining the two ways can result in voice sonorous, concentrated, rich and pearshaped. The two schools are complements of each other and they are a dialectical unity.

  • 【文献出处】 贵阳师范高等专科学校学报(社会科学版) ,Journal of Gui Yang Teacher’s College , 编辑部邮箱 ,2005年03期
  • 【分类号】J616.1
  • 【被引频次】2
  • 【下载频次】114
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