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声乐教学中的头腔共鸣

Bel Canto Training——Resonance

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【作者】 李惠玲

【Author】 LI Hui - ling (College of P. E. & Arts, Beijing Institute of Education , Beijing 100009, China)

【机构】 北京教育学院体育艺术学院 北京 100009

【摘要】 美声歌唱对声音的要求是:用圆润、流畅、光彩和有穿透力的声音即产生了共鸣的声音唱出动听的歌曲。头腔共鸣是人体内部最高位置的共鸣,它能把整个声区的声音统一到高位置上,让声音产生出色彩和穿透力。为了让学习者找到头腔共鸣,应在明确“大小半圆”的概念、关系及运动规律后,再进行口腔肌肉训练和吐字训练,只有这样才能让声音更完美,达到美声的要求。

【Abstract】 In the teaching system for classical singing (" bel canto" ) "breathing, tone and enunciation" are the key aspects of training regardless the differences of schools of teaching or thought. This article pertains only to resonance in the sinus cavity with specific focus on the " tonal" element. The requirements for tone in " classical singing" are: singing passionately with a smooth, brilliant and projected voice or a voice with full resonance. The resonance in the sinus cavity is the highest location for resonance in the human body. It reconciles the voices in all ranges at the highest levels to produce a brilliant and projected strength. In order for the neophytes to discover the resonance in the sinus cavity; one should first understand the concept, relationship and laws of "large semi -conclave" and "small conclave" for the mouth, prior to mouth or oral muscle training and enunciation training in order to reach the perfection required in a bel canto performance.

【关键词】 美声教学头腔共鸣训练方法
【Key words】 Bel Canto TrainingResonanceMethod of Training
  • 【文献出处】 北京教育学院学报 ,Journal of Beijing Institute of Education , 编辑部邮箱 ,2005年02期
  • 【分类号】J616.1
  • 【被引频次】4
  • 【下载频次】417
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