【摘要】 在三十年代，巴金是一位拥有众多青年学生读者的著名作家。不过关于他的接受情况的研究还并不深入。针对这种情况，本论文将从以下三个方面进行论述：巴金的小说《灭亡》与《激流》由于在针对不同读者群的报刊上连载而导致的不同命运，此后逐渐形成的在他周围的青年学生“阅读圈”和开明书店的行之有效的出版模式，以及他的小说《家》在四十年代怎样通过戏剧、电影的改编从青年学生中走进普通市民之中。通过这一接受过程的梳理，比较全面的认识一部作品在发表之后漫长的经典化历程，避免以往对这个问题简单化的处理。更多还原

【Abstract】 Ba Jin was a writer who had lots of readers,especially young students,in 1930s.However,the research a-bout the acceptance of his writing was far from profound.This paper takes it up on the following three aspects:the differ-ent fortune between his two novels Disruption(Mie Wang)and Torrent(Ji Liu)due to their different types of periodicalswhose readers belong to various circles,the young readers’ circle developed around him and the effective publishing modelof the Kai Ming Bookstore,and his novel Home(Jia)accepted,through the adapted movies and dramas,among generalcitizens instead of only the young students,in 1940s.The present research of such an acceptance will lead to a comprehen-sive acknowledgement of a published novel’s long canonicalization,instead of the previous simplifications.更多还原