节点文献

中国画视觉理念与特征

Vision concept and feature of Chinese painting

  • 推荐 CAJ下载
  • PDF下载
  • 不支持迅雷等下载工具,请取消加速工具后下载。

【作者】 吴金铭

【Author】 WU Jin-ming(Art & Crafts Department of Kaifeng University,Kaifeng 475004,China)

【机构】 开封大学工艺美术系 河南开封475004

【摘要】 中国画视觉理念意义具有独立性,其艺术空间风格的形成,是以视觉观念、艺术审美观念为前提,是画外功夫的综合表现,其视觉心理主要倾向于主观世界,持浪漫态度,主张主观与客观的辩证统一。中国画视觉空间追求物象之间的平列关系,等大物象没有近大远小之分,以散视域和复合视域为特征。

【Abstract】 The sence of vision concept of Chinese painting has its independence ,its vision concept and aesthetic standard should be premised to form its character of art space ,and it is a comprehensive expression of the abilities beyond painting .Its vision psychology is mainly tending to wards subjective world ,taking a romantic attitude, and advocating the unification of subject and object.The visual space of Chinese painting seeks for a equal status among objective figures of the same size .It is characterized by scattered and complex visual range.

  • 【文献出处】 周口师范学院学报 ,Journal of Zhoukou Teachers College , 编辑部邮箱 ,2004年04期
  • 【分类号】J212
  • 【被引频次】1
  • 【下载频次】76
节点文献中: 

本文链接的文献网络图示:

本文的引文网络