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传统工笔人物画兴衰的文化语境解读

The Culture Linguistic Context of the Traditional Brush Stroke Figural Painting

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【作者】 申海波

【Author】 SHEN Hai-bo( Institute of Fine Arts,Fujian Normal University,Fuzhoufujian 350007, China)

【机构】 福建师范大学美术学院 福建福州350007

【摘要】 工笔人物画是中国画乃至中国文化的重要组成部分,研究中国工笔人物画的兴衰历程,从工笔人物画历史消长的纵向脉络以及各个发展阶段工笔人物画与文化语境的横向比较入手,探讨工笔人物画与所处时代文化语境的关系,找出其兴衰的文化根源,为当代多元文化语境下的工笔人物画创作提供借鉴。

【Abstract】 Brush stroke figural painting is the important components of Chinese painting and Chinese culture. The essay studies the rise and decline course of China’s brush stroke figural painting and relevant culture background, and relatively starts with the vertical vein of thought and figure painting and crosswise of the culture linguistic context of Chinese realistic painting of each developing stage of the historical growth and decline. It also probes into the relation between brush stroke figural painting and cultural linguistic context of era. Meanwhile it finds out the cultural origins of the rise and decline, and offers reference for the brush stroke figural painting under the contemporary plural culture linguistic context.

  • 【文献出处】 临沂师范学院学报 ,Journal of Linyi Teachers’ College , 编辑部邮箱 ,2004年02期
  • 【分类号】J212
  • 【被引频次】8
  • 【下载频次】192
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