【摘要】 对费穆电影及其代表作《小城之春》的接受历程本身就是中国电影观念和电影观看情境的嬗变历程 ,它自成一条影像中国的历史脉络。对于费穆电影的观看、评论不仅仅事关电影本身 ,它生发了电影的中国情境的诸多想象 ,其中涉及电影本体与意识形态、民族国家的象征体系建构与知识分子身份、处境的影像呈现、电影与都市市民空间的关系、中国电影诗学的形成及其与世界电影的对话等等太多可阐释的空间更多还原

【Abstract】 FEI Mu’s films and Xiao Cheng Zhi Chun were impo rt ant clues to understand the history of Chinese film. Lots of annotation has been born in the course of his films including relation of film with ideology, natio nal states with intellectual, film with society of city residents, Chinese film with foreign film and so on.更多还原