【摘要】 中国古代崇尚的人格境界,是“儒、道思想”互异、互融的道德意识的自我体认,在客、我关照后与宇宙合一的超越境界,我们把它理解为审美意识中所揭示的超我之境。中国艺术精神,稽古至今,盖无不受其影响。传统艺术美学,自生发时起便是围绕这一高尚的人格精神展开的。近世二胡艺术的发展也传承着这一精神的架构,并被它激活而贯穿之。更多还原

【Abstract】 The state of personality advocated in the times of ancient China is the self-identification of morality consciousness of difference and combination of Confucianism ideology, is the surpassing realm of combining with the universe, which can be understood as the self-surpassing state and has been exercising great influence upon the traditional art of aesthetics from ancient times to present. Since its birth, the art of traditional aesthetics has been focusing on the noble personality spirit, which gives impetus to and is inherited by the development of the art of Erhu in modern times.更多还原