【摘要】 荀况《成相篇》,乃中国说唱文学之始祖。《成相篇》之主要形式以六句为一章。《成相篇》采用当时民间歌谣形式。《成相篇》中普遍运用"四字对偶句",开文人诗歌运用对偶之先河。《成相篇》运用长短句形式、运用对偶手法,其影响波及后代汉乐府诗歌、宋词、元曲以及民间说唱文学。《成相篇》分为三段。第一段以"乱"为核心,先叙致乱之因,后论拨乱之法。第二段由今日之"乱"而怀念往时之"治"。第三段乃《成相篇》之核心,提出君主治理国家、拨乱反正之方略,对大治社会进行描绘。更多还原

【Abstract】 Xun Kuang’s 《Chenxiang pian - An Album of Poetry Accompanied with Instrument》 was the first ancestor of the genre of popular Chinese literature in both verse and prose.《Chenxiang pian》 was written in form of folk ballad,one movement consisting of six verses.Its "fourcharacter antithesis" in common use was a forerunner of literati’s applying antithesis to poetry.The application of the form of long and short verse and technique of antithesis to it had a great influence upon Han songs with accompaniment,Song Ci,Yuan Songs and folk literature of talking and singing in later periods.《Chen xiang pian》 was divided into three paragraphs.In the first one "chaos" was regarded as its core,narrating the cause of resulting in chaos first and then discussing the way to bring order out of chaos;People recalled the former happiness in the year of great "order" due to sufferings in the "chaos" at present in the second one;The third one was the core of 《Chenxiang pian》,which put forward the general plan for a monarch to administer a country and bring order out of chaos,and described the society of great order.更多还原