【摘要】 中国美学的思维取向并非如人想像的那样,一开始就是超越主客关系的“天人合一”的审美。实际上中国的审美思维里一直有着一种自觉的主客之间的二元区分,只是这种二元区分不是西方式的二元对立、二元分裂,而是区分后又极力寻求二者之间的合一。更多还原

【Abstract】 The tendency of Chinese aesthetic thought is not a transcendence of subjectivity and objectivity. In fact there is a lucid conscience of the difference of the subject and the object in Chinese aesthetic thought. But this difference between subject and object of China is not the same as the western country’s. Difference but not conflict between the two is the main character of Chinese aesthetic thought.更多还原