【摘要】 本文对我国古代釉上彩进行了系统的研究,认为: 1.我国古代釉上彩是在传统低温色釉的基础上发展起来的。这两类不同的装饰方法均采用有限品种的着色元素（Fe、Cu、Co、Mn四种）来产生无数种艳丽的彩色。低温色釉和釉上彩的主要差别在于前者的化学组成属于PbO-SiO₂二元系统,而后者则属于PbO-SiO₂-K₂O三元系统。 2.康熙末年从国外进口的珐琅彩对我国传统釉上彩产生影响,特别是砷的引用导致粉彩的发明。 作者还根据有关文献资料以及景德镇目前仍在沿用的传统经验,提出了古代釉上彩料的配制方法。更多还原

【Abstract】 With the help of spectro-chemical analysis and the informations from the related litera-ture, the authors made a systematic study on ancient Chinese overglaze colours. On the ba-sis of the chemical compositions obtained, it was found that: （1）The traditionat overglaze colours had its origin in ancient Chinese low-tempera-ture co?oured glazes. These two different types of decoration had used the same and limitednumber of colouring elements（i.e.iron, copper, cobalt and manganese）to produce a series ofbrilliant colours .The difference between the low-temperature coloured glazes and the over-glaze colours lies in the fact that the former belongs to the binary system PbO-SiO₂, whilethe latter belongs to the ternary system PbO-SiO₂K₂O. （2）The enamel colours imported during the last years of Emperor Kongxi had exerteda profound influence on the traditional Chinese overglaze colours, especially that the useof arsenic had led to the invention of powder colours. On basis of the informations from literature and the conventional techniques still beillgused at, Jingdezhen （Chin Teh Chen ）, the authors have proposed a method of preparingthe ancient Chinese overglaze colours.更多还原