【作者】 王群；

【导师】 刘晓静；

【作者基本信息】 山东大学 ， 文艺学， 2025， 博士

【摘要】 民歌,是与人们生活紧密相连的歌唱艺术。山东民歌是山东地区所产生的,带有明显的山东方言语音特点、曲调风格特征及区域性文化印记,在民间长期流传、演唱过程中不断得到加工、巩固与发展的群众喜闻乐见的艺术形式。从历史的角度看,山东民歌是祖先留给我们的极为珍贵的非物质文化遗产;从美学角度看,山东民歌是一种渗透性的审美意识形态,它与其他山东地区的艺术品类共同组成的文化氛围在广大民众的日常生活中发挥着重要作用;从音乐社会学角度看,山东民歌可以准确反映出不同时期的时代精神;从音乐人类学角度看,山东民歌有助于我们理解在人类生活中民歌与风俗、艺术、自然环境等方面的关系。本文以山东民歌的本体为研究对象,探究山东民歌生成的背景、嬗变的过程,以及山东民歌所蕴含的文化内涵。本文由绪论、正文、结语三个部分构成。研究框架依托“基础研究→形态分析→唱词剖析→嬗变规律→价值诠释→发展前瞻”的逻辑链条,对山东民歌进行多层面、多维度的系统研究。其中绪论部分梳理了当前与山东民歌相关联的研究成果,阐述了本研究的选题缘由及研究方法。第一章对山东民歌的概念进行了界定,对其产生的自然环境、历史背景、文化土壤进行挖掘,并在此基础之上对其进行分类,为下文对山东民歌音乐形态的研究奠定了基础。第二章聚焦于山东民歌音乐形态的研究。音乐形态是所有研究的基础,即通过对山东民歌旋律特征、调式调性、曲式结构等音乐元素客观、直接、准确地描述勾画出山东民歌的样式、结构、逻辑,为后续研究的展开提供依据。第三章主要从唱词角度出发对山东民歌进行解读,分析不同题材山东民歌唱词的思想内涵和表达手法。通过对唱词的剖析揭示出山东民歌中所蕴含的丰富情感和深刻寓意,以及其在语言表达上的独特魅力。第四章深入剖析了山东民歌的演变历程,聚焦分析民歌元素在器乐、曲艺、戏曲等不同艺术品种中的流变。阐述了山东民歌从简单到复杂、从稚嫩到成熟的转变。第五章论述了山东民歌的多元价值。它作为中华民族传统文化的重要组成部分,其价值不仅体现在音乐艺术本身,更蕴含了深厚的历史、教育、文化价值,从历史价值来看,它记载社会变迁、补遗史料缺失;从教育价值来看,它是苦难生活的教材,是革命精神的讲义;在文化价值方面,它是风俗习惯的写照也是传统美德的呈现,是连接过去与未来、传统与现代的桥梁。第六章是对山东民歌未来发展的展望。随着传播技术的进步,全媒体已经深入社会的各个领域,渗透到人们的日常生活中,改变了人们的行为模式和认知结构。在这样的生存环境下,民歌艺术需要在守正的基础上创新,探索出一条适合自身的发展路径才能在全媒体时代焕发出新的生机与活力。结语部分对山东民歌音乐研究进行了全面的总结。研究山东民歌对于理解鲁地文化特质、挖掘非遗活态传承价值具有重要意义,其多维度的学术构建不仅能揭示地域艺术演变的内在逻辑,更为当代民歌生态保护提供理论支撑,对中华传统音乐文化体系的完整性研究具有典型意义。更多还原

【Abstract】 Folk song is a vocal art form closely integrated with everyday life.Among these,Shandong folk songs originated in Shandong Province and are distinguished by their dialectal phonetics,melodic characteristics,and regional cultural identity.Over time,they have been continuously refined and preserved through folk transmission,becoming a beloved and enduring form of artistic expression.Historically,these songs represent invaluable intangible cultural heritage;aesthetically,they form a permeating aesthetic ideology that shapes the cultural fabric of Shandong alongside other art forms.From a music sociological perspective,Shandong folk songs embody the zeitgeist of distinct historical periods.From a music anthropological perspective,they elucidate the connections between folk music,customs,art,and the natural environment within human existence.This study centers on the ontology of Shandong folk songs,exploring their historical genesis,evolutionary trajectory,and embedded aesthetic-cultural paradigms.This thesis is composed of three parts:introduction,main body,and conclusion.The research follows a progressive framework consisting of foundational study,morphological analysis,lyric analysis,exploration of patterns of evolution,value interpretation,and developmental outlook,aiming to conduct a systematic,multi-level and multi-dimensional study of Shandong folk songs.The introduction reviews current research on Shandong folk songs,explains the rationale for topic selection,and outlines the research methods employed in this study.Chapter 1 defines the concept of Shandong folk songs and explores the natural environment,historical context,and cultural foundations in which they emerged.Based on this exploration,it offers a classification of the songs,laying the groundwork for the subsequent analysis of their musical forms.Chapter 2 focuses on the study of the musical morphology of them.As the foundation of all research,it provides an objective,direct,and accurate description of musical elements such as melodic features,modality,and formal structure,outlining the style,structure,and internal logic of Shandong folk songs,and laying the groundwork for the following chapters.Chapter 3 approaches through their lyrics,analyzing the thematic content and expressive techniques found in songs of various subjects.By engaging with the lyrics in depth,it reveals the rich emotions and profound meanings embedded in these songs,as well as their distinctive charm in linguistic expression.Chapter 4 traces the evolutionary pathways of folk elements across instrumental music,storytelling arts,and regional operas,illustrating their maturation from simplicity to complexity,and from primitive expression to artistic maturity.Chapter 5 illuminates the diverse values of Shandong folk songs as a vital part of traditional Chinese culture.In addition to their musical qualities,these songs hold profound historical,educational,and cultural importance.From a historical perspective,they record social changes and help make up for what is missing in historical records.In terms of education,they serve as textbooks of hardship and handouts of revolutionary spirit.Culturally,they reflect local customs and traditional ethics,and serve as a bridge between past and future,tradition and modernity.Chapter 6 looks ahead to the future development of Shandong folk songs.With advances in communication technologies,all-media platforms have deeply integrated into society and daily life,changing how people behave and perceive the world.In this environment,folk song art must maintain its core traditions while embracing innovation,finding a development path that allows it to thrive and stay relevant in the era of pervasive media.The conclusion provides a comprehensive summary of the study on Shandong folk songs.Researching these songs is crucial for understanding the cultural characteristics of the Shandong region and for exploring the value of living intangible heritage.This multidimensional study not only reveals the internal logic behind the development of regional art but also offers theoretical support for the protection of the contemporary folk song environment.It stands as a model for research into the completeness of China’s traditional music culture system.更多还原