【作者】 刘洋；

【导师】 尚一鸥；

【作者基本信息】 东北师范大学 ， 日语语言文学， 2020， 博士

【摘要】 伪满洲国文学研究近年来得到了广泛的关注和长足的进展,这种趋势在中国和日本学界尤其明显。作为一个复杂交叉的研究视域,无论是上世纪三四十年代以殖民统治者面目自居的日本,还是作为遭受日本帝国侵略,深陷苦难的中国,在对这段文学历史的回顾与审视时,都会面临诸多无法回避的问题以及中日学者基于不同立场、史观所形成的显著分歧。其中,伪满洲国时期哈尔滨文坛的研究作为伪满洲国文学研究的重要组成部分,以其独特的存在形式与影响,可以管窥当时的历史原貌,全面客观地展示日本帝国主义文化殖民、思想殖民的罪恶行径与中国优秀知识分子不屈不挠,以笔为剑的不朽抗争。本文旨在以伪满洲国时期哈尔滨文坛中的文学创作为研究对象,通过对相关史料的梳理,呈现出这一时期哈尔滨文坛的历史原貌,梳理伪满洲国时期哈尔滨文坛的发展轨迹和特点,重点关注伪满洲国时期的哈尔滨文人群体,从而加深对这一时期哈尔滨文坛特点的理性认知,为学界剖析伪满洲国时期的文学提供另一个研究视角。对伪满洲国时期哈尔滨文坛的研究,以哈尔滨文坛的历史流变为经,以作家群体的演变、重心的转移、文学杂志、文学社团和流亡关内的活动及文坛多元化构成为纬,深入挖掘了哈尔文坛和这一时代的关联,呈现伪满时期日本帝国主义对哈尔滨的文化殖民统治的研究视角。通过伪满洲国时期哈尔滨文坛作家作品原创意蕴的挖掘,详细地厘清这段时期的文学发展脉络,对以往的伪满时期相关文学研究进行补充,完善整个伪满洲国文学的研究体系。本论文共分为六个部分。绪论部分阐述了研究的缘起、研究内容、研究背景和问题、研究方法、文献综述等。本论部分共分为四章:第一章主要从伪满洲国初期的哈尔滨文坛的历史背景入手,以这一时期哈尔滨文坛的左翼作家群体的生成背景,对代表了这一时期哈尔滨文坛的主要成就的左翼爱国作家们,单独列出并加以评述,并概括这一时期哈尔滨文坛侵略与反侵略的文坛较量模式的特点。第二章论述了卢沟桥事变后日伪当局对哈尔滨实施的高压文化政策下,这一时期哈尔滨文坛的文学存在方式,展现这一时期哈尔滨文坛的抗联文艺活动的特色,在本章的后半部分,阐述了形成于1939年秋天的哈尔滨“大北风”作家群的文学活动与影响,并对这一时期依然继续战斗在哈尔滨文坛的关沫南、陈隄两位文学斗士的文学作品和创作生存方式加以论述。最后对伪满洲国初期在哈尔滨地区创办的一家私营地域性报纸《国际协报》的创刊背景、办报宗旨及历史价值进行综述。第三章论述了伪满洲国后期哈尔滨文坛实景,即从日伪当局公然把沦陷区文学殖民地化的这一政策层面探究日本帝国主义文化殖民政策的残酷性,以萧红小说创作为主线,对这一时期流亡至关内的哈尔滨作家群的文学创作活动加以概述。这一阶段哈尔滨流亡作家群体有其独特鲜明的文学理念,清晰可辨,但与此同时他们流亡异乡的心态也非常之复杂,因此他们的文学创作方式也在不断地进行调整和转变。第四章以日系文学和俄侨文学为主概述了伪满洲国时期多元化的哈尔滨文坛,日系文学方面首先以这一时期哈尔滨文坛颇具代表性的日文杂志《北窗》为研究对象,揭示了这一日文文学杂志的真实面貌及殖民文学倾向,并对杂志《北窗》的主编竹内正一和伪满时期日本女性作家牛岛春子的文学传作进行了专题研讨。俄侨文学也是伪满洲国时期哈尔滨文坛的重要组成部分,本论探讨了其成因与发展,对伪满洲国时期哈尔滨文坛上颇具代表性的作家拜阔夫及其文学作品进行了阐述,并对这一时期哈尔滨俄侨杂志中极具人气,最受哈尔滨俄侨欢迎的杂志《边界》做了深入研究。结论部分结合伪满洲国文学的特殊性对这一时期哈尔滨文坛进行梳理总结,从现实意义的角度上来看,对伪满洲国时期哈尔滨文坛的研究,可以帮助我们更全面的还原这一时代的历史真相,全方位地揭示伪满洲国时期东北沦为殖民地的全貌,对日本帝国主义美化侵略、否定侵略的种种谬论予以驳斥。更多还原

【Abstract】 In recent years,the study of Manchukuo literature has received extensive attention and made great progress,especially in Chinese and Japanese academic circles.As a complex and intersecting research field of vision,no matter Japan,which regarded itself as a colonial ruler in the 1930 s and 1940 s,or China,which suffered from the invasion of the Japanese Empire and was deeply suffering,will face many unavoidable problems and significant differences between Chinese and Japanese scholars based on different positions and historical views.Among them,the study of Harbin literary circle during the period of Manchukuo,as an important part of the literature research of the Manchukuo,with its unique existence form and influence,can have a glimpse of the original history of that time,comprehensively and objectively show the criminal behavior of Japanese imperialist cultural colonization and ideological colonization,and the immortal struggle of outstanding Chinese intellectuals with pen as sword.The purpose of this paper is to study the literary creation in Harbin during the period of Manchukuo.By combing the relevant historical materials,this paper presents the original historical appearance of Harbin literary world in this period,combs the development track and characteristics of Harbin literary world in the period of pseudo Manchuria,and focuses on the Harbin literati group in the period of Manchuria,so as to deepen the theory of the characteristics of Harbin literary world in this period.It provides another research perspective for the scholars to analyze the literature in the period of Manchukuo.The study of Harbin literary world in the period of Manchukuo is based on the historical evolution of Harbin literary world,the evolution of writers’ group,the shift of focus,the activities of literary magazines,literary associations and exiles inside Shanhaiguan Pass and the diversified composition of literary circles.It deeply explores the relationship between Harbin’s literary world and this era,and presents the research on the cultural colonial rule of Harbin by Japanese imperialism in the period of Manchuria Research perspective.Through the excavation of the original meaning of the works of Harbin writers in the period of Manchukuo,this paper clarifies the development of literature in this period in detail,complements the previous literature research in the period of Manchuria,and perfects the research system of the whole Manchuria literature.This paper is divided into six parts.The introduction part describes the research motivation,the research content,the research background and problems,research methods,literature review and so on.This part is divided into four chapters: the first chapter mainly starts from the historical background of Harbin literary world in the early period of the puppet Manchuria state,lists and comments on the left-wing patriotic writers who represent the main achievements of Harbin literature in this period,and summarizes The characteristics of the contest mode between aggression and anti aggression in Harbin literary world in this period.The second chapter discusses the way of literary existence in Harbin during this period under the high-pressure cultural policy implemented by the Japanese puppet authorities after the Lugouqiao Incident,and shows the characteristics of the Anti Japanese Alliance literary activities in Harbin literary circles during this period.In the second half of this chapter,it expounds the literary activities and influence of the “Big north wind” writers group formed in the autumn of 1939 in Harbin,and discusses the literary works ang creative living style of Guan Monan and Chen Di,two literary fighters who continued to fight in Harbin literary circles during this period.Finally,this paper summarizes the background,purpose and historical value of the International Association,a private regional newspaper founded in Harbin in the early days of Manchuria.The third chapter discusses the real situation of Harbin literary world in the late period of the Manchuria,that is,from the policy level of the Japanese puppet authorities’ overt colonization of literature in the enemy occupied areas,explores the cruelty of the Japanese imperialist cultural colonization policy,and takes Xiao Hong’s novel creation as the main line to summarize the literary creation activities of the Harbin writers in exile to inside Shanhaiguan Pass during this period.At this stage,the writers in exile in Harbin have their unique and distinct literary ideas,which are clear and distinguishable,but at the same time,their mentality in exile is also very complex,so their literary creation mode is also constantly adjusting and changing.In the fourth chapter,the diversified literary world of Harbin in the period of Manchukuo was summarized with Japanese literature and Overseas Russian literature as the main parts.In the aspect of Japanese literature,firstly,the representative Japanese magazine The North Window in Harbin literary world in this period was taken as the research object,revealing the real appearance and colonial literary tendency of this Japanese literary magazine.It also discussed Uchitake Syouichi,the chief editor of the magazine The North Window and the literary biography of the female writer Ushijima Haruko in the period of Manchukuo.Overseas Russian literature is also an important part of Harbin literary circle in the period of Manchukuo.This paper discusses its causes and development,expounds the representative writer Bai Kuofu and his literary works in Harbin literary circle in the period of Manchukuo,and makes a specific elaboration on the most popular magazine Border,which is the most popular magazine of Harbin overseas Russian.The conclusion part combines the particularity of pseudo Manchukuo literature to sort out and summarize the Harbin literary world in this period.From the perspective of practical significance,the research on Harbin literary world during the period of Manchuria can help us to restore the historical truth of this era more comprehensively,reveal the panorama of the Northeast becoming a colony during the period of Manchuria,and refutes the various fallacies of Japanese imperialism in beautifying and denying aggression.更多还原