【作者】 金鑫；

【导师】 方勇；

【作者基本信息】 华东师范大学 ， 中国古代文学， 2018， 博士

【摘要】 《墨学接受研究(隋唐宋金元)》是以史学和文化传播的视角相结合,探索和分析隋唐宋金元时期墨学发展的情况,同时考察这几个朝代墨学与其他学说的关系。绪论部分主要交代论文研究的目的及意义,然后理清民国以来墨学研究的概况,搜寻其中墨学断代研究涉及隋唐宋金元的相关成果,同时将隋唐宋金元这几段处于墨学衰微期的因果关系作出简析。论文主体共分为三章:隋唐墨学接受研究、宋代墨学接受研究、金元墨学接受研究。以下各章皆先概述墨学发展背景,目的在于考察不同朝代特殊的政治、经济、文化背景下墨学发展演变的轨迹,然后再分别论述不同时期文人学士对墨学的接受,同时探索墨学同几段朝代各自时下主流思潮产生的融合或碰撞。第一章,隋唐墨学接受研究设立八节。首先归纳分析隋唐四大类书《北堂书钞》《艺文类聚》《初学记》《白氏六帖事类集》辑录《墨子》文本和引用墨家思想的特点;然后考察唐代儒墨关系较之前代发生的重要转变;最后解析唐代文人著作中的墨学引用和摘录情况,魏征《群书治要·墨子》、赵蕤《长短经》、马总《意林》较为典型,分别设专节专论;对于没有形成著述、无法系统考察其墨学思想的文人学士,则是采取收集分析其论及墨学的文论或者其他文学作品中的墨学观,比如韩愈《读墨子》和其他文论中对墨学的取舍、柳宗元文论中的斥墨识墨论等。第二章,宋代墨学接受研究设立十节。第二节承接隋唐类书对墨学的考察方法,细致分析宋代三大类书《太平广记》《太平御览》《册府元龟》辑录《墨子》条文的特点,并总结出其与隋唐类书吸收墨学的不同特征。第三节开始专论两宋文人学士的墨学观,北宋时期的文人学士接受墨学少有形成著述,但不乏专篇专论以及散见在文论、史著、注疏等作品中的观点,欧阳修、曾巩、司马光、王安石、苏轼和苏辙的墨学观,即是以此法归纳和分析。从程颢、程颐论墨学,到南宋以后文人学士的墨学接受,则是着重于考察理学兴盛之后理学家们对墨学的批判,朱熹最为典型。最后补充以南宋文人笔记对墨学的接受,即洪迈《容斋随笔》和黄震《黄氏日抄》。第三章,金元墨学接受设立四节。先是考察道教转型、新旧交替中对墨学的吸收,然后列出南宋遗民文人作品对墨学的接受,马端临《文献通考》颇为独特。此章末尾则是将元末文人陶宗仪《说郛》中收录的《墨子节抄》和《读墨子随识》作具体分析,阐明其于元代保存《墨子》文献之功。更多还原

【Abstract】 “The Study of Mohist text acceptance(Dynasties of Sui,Tang,Song,Jin,Yuan)” is based on the perspective of history and cultural transmission to analyze the situation of Mohist development of Sui,Tang,Song,Jin and Yuan dynasties periods.At the same time,the thesis observes Mohist relationship with other theories in these dynasties periods.The introduction part mainly tells purpose and significance of the thesis study,and then clarifies the general situation of the study of Mohism in the Republic of China period,in which the information of Mohism cohort study would be acquired,especially of the Sui,Tang,Song,Jin and Yuan dynasties periods.Then analyzes the reasons for the decline of Mohism in Sui,Tang,Song,Jin and yuan dynasties.The main of the Study is divided into three chapters: the study of Sui and Tang dynasties,the study of Song dynasty,the study of Jin and Yuan dynasties.In the following chapters,the thesis first summarizes the Mohism development background to examine the trace of the development of Mohism in different political,economic and cultural background,then discusses Scholars’ view of the Mohism in different periods and explore the compromise and confrontation with the mainstream thought in every period.In the first chapter,the study of Sui and Tang dynasties are divided into eight sections.First of all,this chapter summarizes and analyzes the characteristics of the Mo Zi’s thoughts in the four books of Bei Tang Shu Chao,Yi Wen Lei Ju,Chu Xue Ji,Bai Shi Liu Tie Shi Lei Ji.Then the chapter investigates the important change of relationship between Confucian and Mohism.The final part inspects the references and excerpts in literati writings of Tang dynasty,especially Qun Shu Zhi Yao by Wei Zheng and Yi Lin by Ma Zong which are typical analyzed in two monographs.If unable to see the scholar’s Mohist thoughts in their monographs,the literary theory or literary work by them would be the sources collect and analyze their Mohism views,such as Han Yu’s attitude towards Mohism expressed in “Reading Mo Zi” and his other literary theories,and the literary theory of Liu Zong Yuan denouncing or acquainting Mohism,etc.In the second chapter,the study of Song dynasty is divided into ten sections.Following the methods of above,it gives detailed analysis to the characteristics of Mohism in the three books: Tai Ping Guang Ji,Tai Ping Yu Lan,Ce Fu Yuan Gui,and summarizes the difference in Mohist absorption contrast to Sui and Tang counterparts.The third part begins to analyze the scholar’s view of Mohism in the Song dynasty.In the Northern Song dynasty period,Mohism acceptance is the rare form of scholar’s writings,but there are no shortage of articles devoted to discussion,and there are also some scattered opinions in literary theory,history books,exegesis and other works.In which the Mohist thoughts of Ou Yang Xiu,Zeng Gong,Si Ma Guang,Wang An Shi,Su Shi and Su Zhe be collected and analyzed.From Cheng Hao and Cheng Yi to the Southern Song,focus is on the criticism from Neo-confucianism scharlars,especially Zhu Xi.In the end,the paper supplemented the acceptance of the Mohism in the literary sketches of South Song: Hong Mai’s Rong Zhai Sui Bi and Huang Zhen’s Huang Shi Ri Chao.In the Third chapter,the study of Jin and Yuan dynasties are divided into four sections.First part examines the Taoist absorption of Mohism in the transformation of old and new,then lists the literary works of the adherents of Southern Song,Ma Duan Lin’s Wen Xian Tong Kao most typically.Finally,the thesis gives a detailed analysis to “Mo Zi Jie Chao” and “Du Mo Zi Sui Shi” in Shuo Fu,which is written by the late Yuan scholar Tao Zong Yi,and explain his contribution to the preservation of Mohist literature in the Yuan dynasty.更多还原