【作者】 聂瑞辰；

【导师】 刘新华；

【作者基本信息】 天津大学 ， 建筑环境艺术， 2011， 博士

【摘要】 本文写作目的是解决有关花鸟画多元化审美取向的一些问题。首先对花鸟画审美取向的画面影响因素和画外影响因素进行分析研究。以此为依据,从花鸟画整体出发,深入剖析花鸟画史上审美取向多元并存和不断发展变化的状况。在剖析中,多以表格形式静态平列各时段并存的各种取向的花鸟画之形式、画家、题材、手法、色彩、探源及其对后世的影响,再以文字形式对画面、画外某些因素对花鸟画审美取向形成、消长的影响作动态分析。这些剖析证明了画面影响因素和画外影响因素对花鸟画审美取向形成及发展的重要性。由此得出结论,花鸟画审美取向多元并存及不断发展是多种因素作用的结果,是历史发展的必然趋势,是艺术繁荣的标志,应进一步促进花鸟画多元并存及健康发展。因此,从影响花鸟画审美取向的画面和画外两方面因素出发,提出新时期发展花鸟画的建设性策略。本文研究主要运用了文献研究法、作品分析法、个案研究法、探索性研究法、经验总结法、描述性研究法、归纳演绎法、抽象概括法、分析综合法等。对于以上研究方法的运用,因行文中研究内容的发展变化而侧重不同,总体上互为补充、印证。通过研究方法的合理使用,力求论据恰当、典型,论点正确、深刻,论证充实、准确,最终得出客观、公允的结论。本文研究成果在于,提出花鸟画审美取向多元并存的客观性和必要性的论点(观点新);提出影响花鸟画审美取向的两方面因素,显性因素——画面影响因素和隐性因素——画外影响因素(论据新);以表格形式静态展示受显性的画面因素影响,各时期花鸟画多元并存的状况,再以文字形式动态展示受某些隐性的画外因素影响,各时期花鸟画审美取向发展及变化的状况(论证新);提出促进花鸟画多元繁荣发展的策略。此策略具有可操作性和实际应用价值,对花鸟画多元化繁荣发展将有很大的促进作用(实用性)。更多还原

【Abstract】 The purpose of the thesis is to solve some problems about the diversified aesthetic orientation of flower-and-bird painting. First, the factors inside the painting and the factors outside the painting are analyzed and studied. Based on this, the writer analyzes the state of the coexistence and development of aesthetic orientations in the history of flower-and-bird painting. In each section of ChapterⅢ, first, the form, producer, subject-matter, technique, color, origin and influence of each orientation of flower-and-bird paintings of each period are listed in tabular form statically; Then, some factors which have influenced the formation, growth and decline of aesthetic orientation of flower-and-bird painting are analyzed in text form dynamically. The anatomy of the first three chapters proves the importance of the factors inside and outside the painting to the formation and development of aesthetic orientation of flower-and-bird painting. Thus, starting from both the factors inside and outside the painting, the writer puts forward constructive strategies for the development of flower-and-bird painting in new age. The conclusion is that the coexistence and development of aesthetic orientations of flower-and-bird painting are the the footsteps of history that can’t be stopped. They are the symbols of prosperity of art and the existence of them are necessary in the development of art. So, efforts should be made from all aspects to promote the diversification and prosperity of flower-and-bird painting.In the thesis, methods of document research, works analysis, case studies, exploratory study, experience summary, descriptive study, induction and deduction, abstraction, comprehensive analysis, etc. are used. The above-mentioned research methods supplement and confirm mutually. By the use of research methods in reason, the writer tries to make the basis of argument appropriate and typical, make the argument correct and profound, make the proof substantial and accurate, and in the end, reaches the objective and fair conclusion.The achievements of the thesis include four aspects. First, it produces the argument that it is objective and necessary for the coexistence of diverse aesthetic orientations of flower-and-bird painting (the argument is new); Second, it produces two aspects of factors which influence the aesthetic orientations of flower-and-bird painting and expounds respectively the effects they have on the formation of diverse aesthetic orientations (the basis of argument is new). Third, in tabular form, it reveals, affected by factors inside the painting, the coexistence of diverse aesthetic orientations of flower-and-bird painting. And, in text form, it reveals, affected by factors outside the painting, the state of development and diversification of aesthetic orientations of flower-and-bird painting in each period. Finally, it produces the strategies to promote the diversification and prosperity of flower-and-bird painting. The strategies are operable, practical, and the practice of them will promote the the diversification and prosperity of flower-and-bird painting greatly (strategies are practical).更多还原