【作者】 石了英；

【导师】 刘绍瑾；

【作者基本信息】 暨南大学 ， 文艺学， 2010， 博士

【摘要】 台港地区近60年的庄子美学阐释取得了丰富的成就,不仅是20世纪庄学研究的重要内容,也是中国现代美学整体历史进程中不可分割的一部分。“台港及海外华人学者美学视野下的庄子阐释”属于学术史研究,以1949年来台港及海外华人学者的庄子美学阐释成果为研究对象,梳理其脉络、发掘其问题,考察庄子思想如何被现代阐释并有效植入台港地区美学建设的经验。本论文章节设计注重整体考察和个案分析的结合,在整体回顾近60年台港地区庄子美学阐释成果,勾勒其发展迹线及主要论题的同时,以方东美、唐君毅、徐复观、叶维廉等学者为个案进行深入论述。方东美、唐君毅从哲学美学的视野阐释庄子,尤其重视庄子美学之生命精神的阐扬,他们是庄子美学从大陆到台港的过渡性人物；徐复观从“人性”主体建构庄子“艺术精神”,并系统整理了庄子思想对“中国山水画论史”的影响,其阐释有着儒道汇通的倾向；叶维廉是道家美学的实践者,不仅把庄子阐释融入其现代诗论的思考中,还在比较诗学视域下揭示出道家美学对西方学界的影响,有力彰显了道家美学的现代价值与世界意义。台港及海外华人学者独特的阐释思路及所开拓的理论命题都为中国现代美学建设提供了可资借鉴的重要资源。更多还原

【Abstract】 In recent 60 years, a rich achievement in the interpretation of Chuang-tzu Aesthetics has been obtained by Hong Kong/Taiwan and Overseas Chinese Scholars, which plays an important role in the study of Chuang-tzu not only in the 20th century but also throughout the whole history of modern Chinese aesthetics. This dissertation is a kind of academic history study, with the accomplishment of Chuang-tzu Aesthetic interpretation by the scholars in Hong Kong and Taiwan and overseas Chinese as the study object, this dissertation aims to explore how the Thoughts of Chuang-tzu has been illuminated and effectively implanted into the aesthetic foundation in the regions by tracing its historical development and inquiring into its problematic issues. This study is featured for overall investigation into the related accomplishments illuminated by the case study, such as studies done by scholars like Fang Dongmei, Tang Junyi, Xu Fuguan, and Wai-lim Yip, etc. Fang Dongmei and Tang Junyi could be regarded as the transitional figure in introducing Chuang-tzu Aesthetics from China’s mainland to Hong Kong and Taiwan, since they successfully explicate Chuang-tzu from philosophical aesthetics perspective and highlight the life spirit of Chuang-tzu. Xu Fuguan not only constructs Chuang-tzu’s "the essence of arts"in the view of "On Humanity", but also straightens out the Chuang-tzu thoughts exerted on the history of Chinese landscape painting. Thus, his explanation bears the tendency of connection between Confucianism and Taoism. Wai-lim Yip puts taoistic aesthetics into practice who infuses the explications of Chuang-tzu with modern poetics. It is him who reveals the influence of taoistic aesthetics upon western academic field in comparative poetics in various perspectives, thus convincingly demonstrating the modern significance of Taoistic Aesthetics worldwide. Hong Kong/Taiwan and Overseas Chinese Scholars’particular Interpretation methods and theories proposition provide for construction of Chinese modern aesthetics the available resource.更多还原