【作者】 滕志朋；

【导师】 邓乔彬；

【作者基本信息】 暨南大学 ， 文艺学， 2006， 博士

【摘要】 本文在他人研究石涛《画语录》的基础上，主要从文化观照的层面来探讨、阐发和思考石涛画论与中国传统文化的关系以及它在今天的价值和意义。全文分三大部分，共九章。第一部分(分为三章)，主要分析《画语录》的结构，探讨其中的关键范畴、术语的内涵意义，指出《画语录》的指归是把自然／艺术／人生统一起来。第二部分(分为四章)把《画语录》置入中国传统文化的语境中，将石涛在该著中的系列思想，与中国传统文化联系起来，辨识出这二者的关系，指出，石涛画论在努力张扬个性的同时——所谓“我用我法”，《画语录》所表述出来的关于绘画艺术特别是传统文人画、山水画的这种观念意识，却又最终根出于传统中国文化思想，是儒道(佛)相混相融，而又以儒为主。石涛画学思想体现了“天人合一”、追求自然和谐的传统文化精神；《画语录》是对传统文化精神的张扬和承继。第三部分(共两章)，则从我们今天的立场，再次检视、辨析石涛的“自然／艺术／人生”统一观，肯定其中追求与自然宇宙以及社会的充分融合，追求个体自由和整体和谐幸福，是传统文化思想的精髓，能为今天所用；在他对绘画艺术方面的见解方面，强调他关于对虚实、笔墨等的要求，尤其是他对“自我”对“个性”的追求，对于今天的中国画创作，仍然有非常巨大的指导价值和参考借鉴意义，符合当代艺术发展的需要。更多还原

【Abstract】 Based on the other’s studies of ShiTao’s Words on art(《画语录》), this thesis discusses the relationship of ShiTao’s theory of paint with Chinese traditional culture, and its value and meaning for nowadays. The whole thesis consists of three parts. The first part (chapter I II III) analyses the structure of Words on art(《画语录》), the intensions of basilic category and terms, indicated that the aim of Words on art (《画语录》) is the unification of nature, art and life. The second part (chapter IV V VI VII) want to identify the relationship of ShiTao’s thought with Chinese traditional culture, indicated that the opinion of ShiTao-"I use the method of myself ", which discusses the traditional paint of literator and landscape paint in Words on art(《画语录》),- made great efforts to blazon forth the individuality, and then, it rooted from the Chinese traditional culture ultimately, which are inosculated Confucianism with Taoism (Buddhism), though the subject is Confucianism. So, Words on art(《画语录》) not only inherited the spirit of Chinese traditional culture, but also developed it. The third part (chapter VIII IX) analyses the unification of nature, art and life in ShiTao’s thought again, and emphasizes that his theory, such as "Xu" and "Shi", "Bi" and "Mo", especially his pursuer of "self and "individuality", still has great directing value and referring meaning for the creation of Chinese paint today.更多还原