【作者】 卢炜；

【导师】 朱栋霖；

【作者基本信息】 苏州大学 ， 中国现当代文学， 2006， 博士

【摘要】 布莱希特毫无疑问是影响我国新时期戏剧最大最深的西方戏剧家。本文希冀以布莱希特戏剧体系中辩证思想和人的观念为维度,探究其对中国新时期戏剧影响和接受的历程,最终得出“从辩证到综合”的影响接受模式。这里的“辩证”不仅指向布莱希特戏剧体系内在关联,即舞台各元素之间的相互依存关系,艺术审美和社会功效的关系,以及马克思主义辩证法的发展论和戏剧艺术表现与创新的关系;而且揭橥布莱希特与我国新时期戏剧之间的比较关系,即我国接受布莱希特过程中所出现的整体与局部、理解与误读、理论与实践以及艺术追求与意识形态导向等具体情境。而“综合”戏剧观则指我国接受西方先进戏剧的影响,渴望通过吸收、甄别、借鉴和转化后得出中国戏剧的理想模式。无论是新时期现实主义戏剧、探索实验戏剧,还是当代戏曲和先锋戏剧都期望这样的综合戏剧。然而,综合戏剧与辩证戏剧最大的鸿沟为体系化的分歧:综合戏剧寄希望于戏剧各优势元素的组合、拼凑,而忽视统筹各元素的灵魂,忘却更高层次的体系建构。此外,如果说切片式的接受过程可归咎于实用主义心理作祟的话,那么,标签式的定位和符号化的涂抹就完全暴露我国新时期戏剧接受语境的尴尬。本文以影响接受研究的作为主要方法,试图进行布莱希特与我国新时期戏剧的影响研究和平行比较研究。全文共分五章:第一章,从两个层面即戏剧文学理论层面和戏剧舞台层面,以学理视角梳理布莱希特进入中国的途径、接受转化过程和学术研究进程;第二章为布莱希特与我国当代戏曲的双向影响研究,其中布莱希特对我国新时期戏曲的影响研究有一定的开创意义,并尝试布莱希特与中国荒诞川剧之比较;第三章是布莱希特与我国新时期现实主义戏剧的比较,详实地论述其对我国新时期现实主义戏剧的接受影响和具体转化,并以沙叶新与布莱希特就剧作家创作,和以徐晓钟与布莱希特就舞台导演艺术进行影响研究和平行比较;第四章为布莱希特与我国新时期先锋戏剧比较研究,首先阐述我国新时期后期先锋戏剧对布莱希特的接受和荒诞派的改造;然后以戏剧的大、小剧场为维度尝试比较;第五章是布莱希特与高行健戏剧的个案比较,本章从表演理论、舞台导演和剧本创作等方面入手,系统且深入地展开两者之间的影响研究和平行比较。更多还原

【Abstract】 Brecht is the most influential playwright on the Chinese theater in the later 20th century. Coming from the perspectives of the Theatrical System of Dialectics and the Notion of Human Being, this dissertation intends to conduct a research on influence relationship between Brecht and Chinese contemporary theater. Theatrical System of Dialectics is not only the dialectical relationship of arena element of the dialectal theater system of Brecht, art taste and society effect, and the development theory of Marxism and the drama representation or innovation, but also opening out the biased, intentional or unintentional misinterpretation and utilitarian inclination in the reception process.The Theatrical System Comprehension is an ideal model,which combines the advanced Western theater theory with the present situation in China. Therefore, no matter Realism Theater, Experimental Theater or Contemporary Play all expects the Theatrical System Comprehension. However, the difference between the Theatrical System Comprehension and the Theatrical System of Dialectics lies in a differentiation in theoretical system.The synthesize theater aims to predominance combination or scramble of every element and ignores the last purpose to plan as a whole that will establish a set of more high-ranking theater system..The accepted course as slicing up was mostly ascribed of practicality, and daub of labeling and orientation of symbol were also reflection our accepted condition. The methods of intermediaries and influence study in comparative literature are used in discussing the relationship between Brecht and the Chinese theater in the later 20th century.This dissertation consists of six parts. The introduction introduces the Theatrical System of Dialectics of Brecht, and carries on overall generalization to the relationship between Brecht and the Chinese theater in the later 20th century .The first chapter introduces the Theatrical System of Dialectics of Brecht have been accepted and translated and introduced at the later 20th century China. The second更多还原